Looking at the painting, “Girl Under the Taliban,” (left) by Hangama Amiri is like being slapped across the face with a reality check. In it, a young woman sears a determined stare into the viewer’s mind with one eye while the other burns with fire. She’s clutching a textbook in one hand and a burqa in the other. It assaults you with its literal message of oppression, but confounds even more with its rich complexity. It’s the story of Nargis, a 13-year-old Afghan girl banned from seeking education under the Taliban. It is not a unique story, but it’s one that isn’t being told nearly enough.
“Girl” is the third in the series, “The Wind-Up Dolls of Kabul,” by artist Hangama Amiri. She has made it her mission to tell stories about Afghan women through her work.
Amiri could have had the same story as Nargis–or one much worse. Her family fled Afghanistan in 1996 when the Taliban took over. She spent several years as a refugee and finally settled in Canada, where she went to college, became an artist in residence and began her career. “The Wind-Up Dolls” series is Amiri’s first solo exhibition and has come to define her feminist identity as well as the arc of her artistic vision.
She talks to Sexy Feminist about her inspirations, the concept of feminism in Afghanistan, and the way art is an important part of the global discourse on the treatment of women. [Read more...]